
010
Saprophytic Flower
Ink, Pencil, watercolor paper
腐生 · 花
390mm (W) x 540mm (H)
2026
Life unfolds within decay and disintegration—not truly disappearing, but breaking out into another form. It emerges again through saprophytic growth, parasitism, or as continuity within the microscopic world. In the fluid motion of ink, I try to capture chaos: destruction is itself a kind of incubation, and an ending may also be the beginning.
I deliberately avoid single standards such as “health,” “light,” or “perfection.” Instead, I pose the question—when life is damaged, does it always mean failure? Or can rupture and imbalance be the starting point for the generation of a new order? Beginning from the darker sides of rot, disease, and dimness, I search for a distorted, shadowed—and even faintly eerie—vitality.
All things in the world are no longer simply part of a natural cycle. They are also attempts to write instructions for life itself. This “reorganization,” at its core, is a breaking of the shell: old boundaries are dismantled, and the new forms that follow are not necessarily tame. They may even appear as pathology, alienation, or in the form of symbiosis
生命在衰敗崩解之中,並不會真正消失,而是用另一種形態破殼而出——腐生、寄生,抑或微觀世界裏的延續。在水墨流動當中捕捉混沌:毀滅即是孕育,終結亦可能是開端。刻意避開「健康」「光明」「完美」這種單一標準,轉而去追問—當生命被破壞,是否一定等於失敗?又或者,破裂和失衡反而是新秩序生成的起點。從腐朽、病變、黯淡那一面入手,尋找一種畸變、幽暗、甚至帶點妖異的生命力。世間所有事不再只係順應自然嘅循環,而是試圖編寫生命的指令。這樣的「重組」本質上都是一種破殼—舊的界線被拆開,新的型態未必溫馴,甚至可能以病變、異化、共生的 形式出現。
在生命衰敗當中用另一種形態破殼而出在世間的流動當中捕捉混沌毁滅即是孕育終結亦可能是開端